Random observations, teachings and musings of a well trained cubicle superhero.
http://j1.ca
Tuesday, July 31, 2007
Is it lame that I think this rocks?
TODA + OXO Corn Stripper- 07.25.07
While checking out Sub-Studio’s latest post for us below on TODA… i couldn’t help but notice this incredible Corn Stripper they have designed for Oxo! It actually strips the kernels off the cob and into a container that even helps you measure how much you have… and easy grips to hold on to as well.
From - http://www.notcot.com
Monday, July 30, 2007
oh snap.
Friday, July 27, 2007
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Monday, July 23, 2007
Blade Runner @ YD Sq Tue 9pm
Blade Runner | |||
Tuesday 24 July 2007, 9:00pm - 11:00pm | |||
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Friday, July 20, 2007
2007 DMC Canada FINAL@ModClub Aug10
Wednesday, July 18, 2007
Shredded
Sunday, July 08, 2007
Prosmise Boat Cruise aboard Kajama-July14
KAJAMA TALL SHIP MOON CRUISE:
DATE: SATURDAY JULY 14TH, 2007
Friends and friends of friends, depart together for our annual night on the lake with gentle breezes, starry skies and deep bouncy beats. Our historical tall sailing ship Kajama is a three-mast schooner built in Europe in 1930. Her beauty and intimacy is loved by all who have sailed with us before and danced on her deck. We look forward to seeing to our night with you!
DJ'S:
JACOB CINO AKA THIRD EYE TRIBE (VANCOUVER)
NOAH PRED
MIKE GIBBS
AIA
LOCATION:
Casting off from the dock behind the Harbourfront Centre Stage, 235
Queens Quay W, just west of Front and Bay. Right at midnight, arrive
comfortably before.
TICKETS $35:
Shanti Baba - 548 Queen St W
Moog Audio - 442 Queen St W
2theBeat - 161 Spadina Ave
Justin - alieninflux@harvestfestival
David - 416 550 2702, mdave@sympatico.ca
Irving - 416 902 1740, promisebz@rogers.com
Kajama info: Great Lakes Schooner Co.
Saturday, July 07, 2007
Beats Breaks and Culture at Harbourfront
2:00pm - Saturday, July 7 Concert Stage
King Sunshine
“The weather’s beautiful on the dancefloor!” – These are the words of Toronto's own nine piece band, King Sunshine – they blend keyboards/synths, heart pounding drums/percussion, deep bass, slick guitar, intense electronics, tight horns and soulful vocals to create a reinvented house music.
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2:00pm - Saturday, July 7 Studio Theatre
Rock the Bells (film screening)
An independent, Do-It-Yourself spirit film, Rock the Bells shows festival producer Chang Weisberg putting it all on the line for his impossible dream of reuniting the WU-Tang Clan. The film features performances by Redman, Dilated Peoples, MC Supernatural, Sage Francis, Eyeda and Abilities, Chali 2na and DJ Numark.
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3:30pm - Saturday, July 7 Concert Stage
Agape featuring Nadia Harris
A meaningful and soulful, explosive new sound! These Miami Beach natives are fronted by singer, songwriter, Nadia Harris who brings forth a beautiful voice drenched with the soul and rich heritage of her upbringing in the hills of Kingston Jamaica.
myspace.com/agapefeaturingnadiaharris
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5:00pm - Saturday, July 7
Pop, Lock & Load IV
Breakdancing duos compete to participate in tomorrow's finale.
Hosted and organized by Benzo from Bag of Tricks. DJ'd by Canada's answer to unfiltered underground Hip Hop - DJ Serious and Belgian DJ Mauz (Redbull beat champ 2007). With a special popping performance by Rythmatic Funk Movement.
------------------------------------------------------------------------------------------------9:30pm - Saturday, July 7 Concert Stage
Shout Out Out Out Out
Shout Out Out Out Out, comprised of two drummers, four bass players, two samplers, five synthesizers and two vocoders, grew up playing in a variety of punk/rock bands. With time, the six members wound up becoming obsessed with electro, tech-house, and computer disco. It’s because of this background that Shout Out Out Out Out are so comfortable straddling the fence between the energy and live-performance of being in a rock band, and the exciting bump of filling a dance floor with slamming sequenced beat. This is volatile dance music.
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1:00pm to 11:00pm - Saturday, July 7 Marilyn Brewer Community Space
Beats, Breaks and Technology: Milestones in the History of Electronic Music
Follow the timeline of the major technological and musical milestones that laid the foundation for present day genres of music including hip hop, drum & bass, techno and house. Interact and play the theremin, the first electronic musical instrument.
Curated by mixMotion - mixmotion.com
Equipment Collection on loan from Play de Record - playderecord.com
Tuesday, July 03, 2007
Independent Review: Transformers
Dude from my office just gave me his review of Transformers from the sneak preview last night.
"Amazing. The visual effects were crazy. The transform movements were realistic and looked awesome. You should see it, seriously."
UPDATE: Saw it last night - all showings were sold out except for a quickly added 10:10 show. Happened to be there at the right time and picked up tix.
So. Freaking. Awesome.
See it tonight, see the late show, sleep in, miss your bus, drown in coffee, write a blog post.
Monday, July 02, 2007
2001: A Space Odyssey - in open space...
FEATURING FUTURISTIC FLICKS:
2001: A Space Odyssey (1968) Stanley Kubrick’s signature film. One of the most thoughtful sci-fi films of all time. |
Bumps (Stone's Throw) July3 @ Lees Palace
Bumps - OK!!! (Stones Throw 2007)
The three percussion experts behind the seminal indie rock / post rock band Tortoise showcase their rhythmical prowess, coming together for this self-titled concept break beat record entitled Bumps.
As members of Tortoise, these three gentlemen helped infuse a new aesthetic into the indie rock scene of the 1990s. The group set itself apart by focusing on instrumental prowess and group interaction. Instead of the tried and true themes of familiar alternative and punk, Tortoise opened up their scope of influences to create a new musical vision – dubiously called “post rock” – incorporating styles from genres such as Krautrock, dub, avant-garde jazz, classical minimalism, ambient and space music, film music and British electronica.
One of indie rock’s most in-demand master producers of the last decade, Tortoise’s producer/
drummer/vibes player John McEntire has worked with a staggering number of artists as engineer, producer and remixer. With Bumps, he lends his talents toward pushing the boundaries of a typical break beat record, fusing influences from funk, Brazilian, Latin and Afrobeat music.
RASHOMON July 5 8pm @ Jackman Hall
(Japan, 1950) Presented by: Cinematheque Ontario
Thursday July 5th @ 8PM
AGO-Jackman Hall-317 Dundas St W
Box Office at Manulife-55 BloorW
or call 416-968-FILM.
Cinematheque Ontario presents Akira Kurosawa's RASHOMON (Japan, 1950)
RASHOMON
Director: Akira Kurosawa
Japan minutes
Cast: Toshiro Mifune, Machiko Kyo
“***** One of the most brilliantly constructed films of all time, RASHOMON is a monument to Akira Kurosawa’s greatness. . . . A hallmark of film history” (James Monaco).
RASHOMON was the film that introduced Japanese cinema to the western world (which, properly amazed, immediately lavished prizes on it, including the Grand Prize at the Venice film festival and the Academy Award® for Best Foreign Language Film). It landed actress Machiko Kyo on the cover of Life Magazine, made Toshiro Mifune an international superstar, and influenced generations of filmmakers, from Resnais (LAST YEAR AT MARIENBAD) to Tarantino (RESERVOIR DOGS). Indeed, its impact on popular culture was so immense that “Rashomon” has become a code word for the multiplicity/relativity/unattainability of truth. Set in twelfth-century Kyoto, RASHOMON famously examines a tale of rape and murder from four different perspectives and asks, “which is the true story?” Opening in the rain-pelted ruins of a temple (which gives the film its name), it flashes back through a series of complex and conflicting accounts of the same event. A bandit (Mifune) comes upon an aristocratic woman (Kyo) and her samurai husband (Masayuki Mori) in the forest. He rapes her and murders him, but the versions of how and whether this happened as told by the three participants (including the dead husband’s spirit!) and a supposed witness to the crime, contradict each other in significant ways. Each has a reason to tell the tale the way he or she does, but none ultimately can be trusted for the truth. More torrential than the rain that frames the story, Mifune’s performance lays waste to good taste with its wild excesses. Stripped and capering, all eyebrows, armpits, and glinting teeth, he is less bandit than beast of the jungle. Not to be outdone, Machiko Kyo combines simpering servility and fierce vengefulness. And Kurosawa’s style, with its flashy editing, peculiar music (Ravel’s Bolero), and high-contrast cinematography – the great cinematographer Miyagawa turns the sun-dappled forest into an arena of cruelty and metaphor for memory – transforms RASHOMON into a startling tour de force.
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